There’s nothing black and white about “Django Unchained.” With a pop palette that hits the retina like a bounty hunter’s bullet, Quentin Tarantino’s triumphant genre mashup bares its ...

"Django Unchained" is Robert Richardson's fourth collaboration with Quentin Tarantino, ... Eye on the Oscars 2013: The Cinematographer. By Addie Morfoot. Plus Icon. Addie Morfoot ...

One character's last name in Quentin Tarantino's Django Unchained provides a connection to a 1970s blaxploitation cinema ...

0824 quentin tarantino on the set of django unchained.jpg Quentin Tarantino frames up a shot on the set of 'Django Unchained,' his New Orleans-shot 'spaghetti Southern.' (Photo by The Weinstein Co ...

Django Unchained has drawn admiration and condemnation from critics, and has sparked debates about history, ... It's just good cinematography. HEADLEE: OK. That's Kiana in Boston, Massachusetts.

Tarantino and cinematographer Robert Richardson fashion gorgeous panoramic visuals of the countryside, which provide a striking counterpoint to the bloodbath that comes in the final third of the film.

"Django Unchained," Quentin Tarantino's double-Oscar-winning Southern Western — about a former slave (Jamie Foxx) trying to free his wife (Kerry Washington) from a vile plantation owner ...

Quentin Tarantino continues his tour of “disreputable” movie genres with “Django Unchained,” a boisterous and violent appropriation of tropes from the 1960s spaghetti Western (low-budget ...